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JRR Tolkien's Posthumous Works - Should I get them?
#1
The Wikipedia lists the following:

Quote:The Silmarillion
Tolkien wrote a brief "Sketch of the Mythology", which included the tales of Beren and Lúthien and of Túrin; and that sketch eventually evolved into the Quenta Silmarillion, an epic history that Tolkien started three times but never published. Tolkien desperately hoped to publish it along with The Lord of the Rings, but publishers (both Allen & Unwin and Collins) declined. Moreover, printing costs were very high in 1950s Britain, requiring The Lord of the Rings to be published in three volumes.[163] The story of this continuous redrafting is told in the posthumous series The History of Middle-earth, edited by Tolkien's son, Christopher Tolkien. From around 1936, Tolkien began to extend this framework to include the tale of The Fall of Númenor, which was inspired by the legend of Atlantis.

Tolkien had appointed his son Christopher to be his literary executor, and he (with assistance from Guy Gavriel Kay, later a well-known fantasy author in his own right) organized some of this material into a single coherent volume, published as The Silmarillion in 1977. It received the Locus Award for Best Fantasy novel in 1978.[164]

Unfinished Tales and The History of Middle-earth
In 1980 Christopher Tolkien published a collection of more fragmentary material, under the title Unfinished Tales of Númenor and Middle-earth. In subsequent years (1983–1996) he published a large amount of the remaining unpublished materials, together with notes and extensive commentary, in a series of twelve volumes called The History of Middle-earth. They contain unfinished, abandoned, alternative, and outright contradictory accounts, since they were always a work in progress for Tolkien and he only rarely settled on a definitive version for any of the stories. There is not complete consistency between The Lord of the Rings and The Hobbit, the two most closely related works, because Tolkien never fully integrated all their traditions into each other. He commented in 1965, while editing The Hobbit for a third edition, that he would have preferred to completely rewrite the book because of the style of its prose.[165]

Mr. Bliss
One of Tolkien's least-known short works is the children's storybook Mr. Bliss, published in 1982. It tells the story of Mr. Bliss and his first ride in his new motor-car. Many adventures follow: encounters with bears, angry neighbours, irate shopkeepers, and assorted collisions. The story was inspired by Tolkien's own vehicular mishaps with his first car, purchased in 1932. The bears were based on toy bears owned by Tolkien's sons. Tolkien was both author and illustrator of the book. He submitted it to his publishers as a balm to readers who were hungry for more from him after the success of The Hobbit. The lavish ink and coloured-pencil illustrations would have made production costs prohibitively expensive. Tolkien agreed to redraw the pictures in a simpler style, but then found he did not have time to do so. The book was published in 1982 as a facsimile of Tolkien's difficult-to-read illustrated manuscript, with a typeset transcription on each facing page.

The Children of Húrin
More recently, in 2007, The Children of Húrin was published by HarperCollins (in the UK and Canada) and Houghton Mifflin (in the US). The novel tells the story of Túrin Turambar and his sister Nienor, children of Húrin Thalion. The material was compiled by Christopher Tolkien from The Silmarillion, Unfinished Tales, The History of Middle-earth, and unpublished manuscripts.

The Legend of Sigurd and Gudrún
The Legend of Sigurd and Gudrún, which was released worldwide on 5 May 2009 by HarperCollins and Houghton Mifflin Harcourt, retells the legend of Sigurd and the fall of the Niflungs from Germanic mythology. It is a narrative poem composed in alliterative verse and is modelled after the Old Norse poetry of the Elder Edda. Christopher Tolkien supplied copious notes and commentary upon his father's work.

According to Christopher Tolkien, it is no longer possible to trace the exact date of the work's composition. On the basis of circumstantial evidence, he suggests that it dates from the 1930s. In his foreword he wrote, "He scarcely ever (to my knowledge) referred to them. For my part, I cannot recall any conversation with him on the subject until very near the end of his life, when he spoke of them to me, and tried unsuccessfully to find them."[166] In a 1967 letter to W. H. Auden, Tolkien wrote,

Thank you for your wonderful effort in translating and reorganising The Song of the Sibyl. In return again I hope to send you, if I can lay my hands on it (I hope it isn't lost), a thing I did many years ago when trying to learn the art of writing alliterative poetry: an attempt to unify the lays about the Völsungs from the Elder Edda, written in the old eight-line fornyrðislag stanza.[167]

The Fall of Arthur
The Fall of Arthur, published on 23 May 2013, is a long narrative poem composed by Tolkien in the early-1930s. It is alliterative, extending to almost 1,000 lines imitating the Old English Beowulf metre in Modern English. Though inspired by high medieval Arthurian fiction, the historical setting of the poem is during the Post-Roman Migration Period, both in form (using Germanic verse) and in content, showing Arthur as a British warlord fighting the Saxon invasion, while it avoids the high medieval aspects of the Arthurian cycle (such as the Grail, and the courtly setting); the poem begins with a British "counter-invasion" to the Saxon lands (Arthur eastward in arms purposed).[168]

Beowulf: A Translation and Commentary
Beowulf: A Translation and Commentary, published on 22 May 2014, is a prose translation of the early medieval epic poem Beowulf from Old English to modern English. Translated by Tolkien from 1920 to 1926, it was edited by his son Christopher. The translation is followed by over 200 pages of commentary on the poem; this commentary was the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics".[169] The book also includes the previously unpublished "Sellic Spell" and two versions of "The Lay of Beowulf". The former is a fantasy piece on Beowulf's biographical background, while the latter is a poem on the Beowulf theme.[170]

The Story of Kullervo
The Story of Kullervo, first published in Tolkien Studies in 2010 and reissued with additional material in 2015, is a retelling of a 19th-century Finnish poem. It was written in 1915 while Tolkien was studying at Oxford.[171]

Beren and Lúthien
The Tale of Beren and Lúthien is one of the oldest and most often revised in Tolkien's legendarium. The story is one of three contained within The Silmarillion which Tolkien believed to warrant their own long-form narratives. It was published as a standalone book, edited by Christopher Tolkien, under the title Beren and Lúthien in 2017.[172]

The Fall of Gondolin
The Fall of Gondolin is a tale of a beautiful, mysterious city destroyed by dark forces, which Tolkien called "the first real story" of Middle-earth, was published on 30 August 2018[173] as a standalone book, edited by Christopher Tolkien and illustrated by Alan Lee.[174]


Out of these I own Silmarillion, the Legend of Hurin and the History of Middle-earth. I have read Silmarillion and Legend of Hurin, but I found Legend of Hurin to be a really tough read. The History of Middle-earth books are massive and I've only flipped through them. Nice to own, but my interest in alternate endings and early takes is somewhat limited.

What about all these other works? Have you taken a look at them? Smile

-Havard
Currently Running: The Blackmoor Vales Saga
Currently Playing: Daniel S. Debelfry in the Throne of Star's Campaign
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#2
A tough question, as I find that much of this material is a tough read as you noted.

I own the entire History of Middle-earth set, but never really look at them. What happened is that I bought the Book of Lost Tales and Book of Lost Tales 2 because I thought they would have more stories in them, and didn't realize they would be so technical. Years later I was in a used bookstore and saw the four volumes that pertain to LotR and thought, "that would be cool," and traded a boxload of used books for those four. Then later I saw the one with "Return of the Shadow" (the fragment of a LotR sequel) in it and had to have it for that story. Somewhere along the line I told myself, "well, heck, I own something like 7 of the 12 so why not have the whole set?" and bought the rest.

I guess I like the concept of being a Tolkien scholar, but lack the drive (and have poor memory) to actually become one. :wink:

I since bought the Children of Hurin and Beren and Luthien and Fall of Gondolin because I love the concept of having each as individual stories, but they mostly sit and collect dust.

So, I guess my example is to buy everything, but my advice would be to pick and choose carefully. Does that help at all?
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