There's nothing more that Gaderon can learn from a closer examination of the wheel. The pointer is obviously movable, but that's about all.
The wall paintings and writings are of some interest in that the depictions here are of Rahotep and various other Khemitians, male and female, royal, noble, and commoner, all engaging in religious and domestic activities. Rahotep is seen in various situations: eating, attended by slaves and servants; entertained by musicians, dancers, and performers; accompanied by his harem of concubines; speaking to an audience of lesser priests, and so forth. Hieroglyphs and hieratic script recount his typical activities and state that Rahotep will enjoy these things and more after death. On the right wall is an admonishment aimed at intruders:
Note all the great happiness of Rahotep, and know that the Set Rahotep will have greater joy still. Welcome to all you who enter, for you will serve under His power and pleasure.
Taking a closer look at the statue, Gaderon notices that the long iron rod is clearly not a part of it, and might probably even be removable. He also notices that the statue's eyes are inset with huge crystals.
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